{"id":202,"date":"2002-03-19T22:59:37","date_gmt":"2002-03-19T22:59:37","guid":{"rendered":"http:\/\/www.contrapunktonline.de\/content\/?p=202"},"modified":"2012-03-11T12:15:26","modified_gmt":"2012-03-11T12:15:26","slug":"03-musikwirtschaft-staatsgesteuert-geldgelenkt","status":"publish","type":"post","link":"https:\/\/www.contrapunktonline.de\/content\/03-musikwirtschaft-staatsgesteuert-geldgelenkt\/","title":{"rendered":"03 \u2013 Musikwirtschaft: Staatsgesteuert .\/. Geldgelenkt"},"content":{"rendered":"<figure id=\"attachment_203\" aria-describedby=\"caption-attachment-203\" style=\"width: 300px\" class=\"wp-caption alignright\"><a href=\"http:\/\/www.contrapunktonline.de\/content\/wp-content\/uploads\/2012\/03\/alle.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-203\" title=\"Das mobile Studio\" src=\"http:\/\/www.contrapunktonline.de\/content\/wp-content\/uploads\/2012\/03\/alle-300x207.jpg\" alt=\"Das mobile Studio\" width=\"300\" height=\"207\" srcset=\"https:\/\/www.contrapunktonline.de\/content\/wp-content\/uploads\/2012\/03\/alle-300x207.jpg 300w, https:\/\/www.contrapunktonline.de\/content\/wp-content\/uploads\/2012\/03\/alle-288x200.jpg 288w, https:\/\/www.contrapunktonline.de\/content\/wp-content\/uploads\/2012\/03\/alle-200x138.jpg 200w, https:\/\/www.contrapunktonline.de\/content\/wp-content\/uploads\/2012\/03\/alle-216x150.jpg 216w, https:\/\/www.contrapunktonline.de\/content\/wp-content\/uploads\/2012\/03\/alle.jpg 550w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-203\" class=\"wp-caption-text\">Das mobile Studio<\/figcaption><\/figure>\n<p><strong>19. M\u00e4rz 2002 \u2013 Bayerischer Bahnhof Leipzig<br \/>\n<\/strong>Moderation: Theo Gei\u00dfler und Manfred Wagenbreth<br \/>\nRegie: Lieberwirth\/Hufner \u2013 Redaktion: Wolf Loeckle<\/p>\n<p>Beide deutsche Staaten haben mit unterschiedlichen Wirtschaftsideen die Produktion k\u00fcnstlerischer Arbeit beeinflusst. W\u00e4hrend man auf der einen Seite Musik im Rahmen einer sozialen und politischen Verpflichtung verstanden wissen wollte und damit die Musikkultur staatlich zu steuern versuchte, war auf der anderen Seite der Markt das Lenkungsinstrument von k\u00fcnstlerischer Freiheit.\u00a0<!--more--><\/p>\n<p>\u00dcber den Musikmarkt, wie er war, wie er ist und wie er morgen vielleicht aussehen wird diskutieren am 19. M\u00e4rz im Bayerischen Bahnhof in Leipzig live und ungeschnitten die Musikmanager Stefan Piendl (BMG Classic) und Klaus Koch (Verlag Buschfunk) sowie die S\u00e4ngerin Ulla Meinecke und der S\u00e4nger Norbert Leisegang (Keimzeit) mit Manfred Wagenbreth (MDR KULTUR) und Theo Gei\u00dfler (Bayern2Radio).<\/p>\n<h4>Sendung nachh\u00f6ren<\/h4>\n<div class=\"powerpress_player\" id=\"powerpress_player_8540\"><a href=\"http:\/\/media.blubrry.com\/contrapunkt\/www.contrapunktonline.de\/content\/wp-content\/uploads\/2002\/03\/cp03.mp3\" title=\"Play\" data-pp-embed=\"html5a\" data-pp-player-id=\"8540\" data-pp-media-url=\"http:\/\/media.blubrry.com\/contrapunkt\/www.contrapunktonline.de\/content\/wp-content\/uploads\/2002\/03\/cp03.mp3\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/www.contrapunktonline.de\/content\/wp-content\/uploads\/powerpress\/play.gif\" title=\"Play\" alt=\"Play\" style=\"border:0;\" \/><\/a><\/div>\n\n<p><strong>Ablauf:<\/strong><\/p>\n<p>2:32 (1) B<strong>egr\u00fc\u00dfung und Einf\u00fchrung ins Thema<\/strong><\/p>\n<p>8:57 (2) <strong>Vorstellung und Begr\u00fc\u00dfung der G\u00e4ste<\/strong><br \/>\nUlla Meinecke, Norbert Leisegang, Klaus Koch und Stefan Piendl<\/p>\n<p>4:41 (3) <strong>Live-Musik der Gruppe Tripol<\/strong><br \/>\n(Marcus Horndt, Andreas Schnittger und Anne Lieberwirth):<br \/>\nF\u00fcr Andrea (Marcus Horndt)<\/p>\n<p>24:55 (4) <strong>Erste Gespr\u00e4chsrunde:<\/strong><br \/>\nErfahrungen Ost\/West \u2013 Auftritte \u2013 Live-Musik \u2013 Erfolg \u2013 Vom Sozialismus in den Kapitalismus<\/p>\n<p>4:30 (5) <strong>Live-Musik der Gruppe Tripol:<\/strong><br \/>\nBonanza Ghost (Andreas Schnittger)<\/p>\n<p>10:59 (6) <strong>Grenzg\u00e4nger Stefan Piendl:<\/strong><br \/>\nIntensive Befragung von Stefan Piendl<\/p>\n<p>4:05 (7) <strong>Einspielung: Hermann Backes \u00fcber den musikwirtschaftlichen Auf- und Abstieg in Ost und West<\/strong><\/p>\n<p>22:28 (8) <strong>Zweite Gespr\u00e4chsrunde:<\/strong><br \/>\nRaubkopien \u2013 Globalisierung\/Hinterland \u2013Angebliche Vielfalt \u2013 Bildung \u2013 Absage<\/p>\n<p>4:49 (9) <strong>Live-Musik der Gruppe Tripol:<\/strong><br \/>\nColognely Nights (Anne Lieberwirth)<\/p>\n<h4>Fotos aus der Sendung:<\/h4>\nngg_shortcode_0_placeholder\n","protected":false},"excerpt":{"rendered":"<p>Beide deutsche Staaten haben mit unterschiedlichen Wirtschaftsideen die Produktion k\u00fcnstlerischer Arbeit beeinflusst. W\u00e4hrend man auf der einen Seite Musik im Rahmen einer sozialen und politischen Verpflichtung verstanden wissen wollte und damit die Musikkultur staatlich zu steuern versuchte, war auf der anderen Seite der Markt das Lenkungsinstrument von k\u00fcnstlerischer Freiheit.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"ocean_front_end_style_editor":"no","ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":"","jetpack_post_was_ever_published":false},"categories":[11,54,14,7],"tags":[32,58,62,61,60,59,40],"class_list":["post-202","post","type-post","status-publish","format-standard","hentry","category-bayerischer-bahnhof-leipzig","category-bayern2radio","category-mdr-kultur","category-westostlicher-dialog","tag-deutschland","tag-klassik","tag-kontrolle","tag-musikindustrie","tag-musikmarkt","tag-pop","tag-tschechien","entry"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.contrapunktonline.de\/content\/wp-json\/wp\/v2\/posts\/202","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.contrapunktonline.de\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.contrapunktonline.de\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.contrapunktonline.de\/content\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.contrapunktonline.de\/content\/wp-json\/wp\/v2\/comments?post=202"}],"version-history":[{"count":5,"href":"https:\/\/www.contrapunktonline.de\/content\/wp-json\/wp\/v2\/posts\/202\/revisions"}],"predecessor-version":[{"id":213,"href":"https:\/\/www.contrapunktonline.de\/content\/wp-json\/wp\/v2\/posts\/202\/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