{"id":294,"date":"2003-05-20T22:07:37","date_gmt":"2003-05-20T22:07:37","guid":{"rendered":"http:\/\/www.contrapunktonline.de\/content\/?p=294"},"modified":"2012-03-12T09:14:30","modified_gmt":"2012-03-12T09:14:30","slug":"14-popmusik-revolte-mode","status":"publish","type":"post","link":"https:\/\/www.contrapunktonline.de\/content\/14-popmusik-revolte-mode\/","title":{"rendered":"14 \u2013 Popmusik: Revolte .\/. Mode"},"content":{"rendered":"<figure id=\"attachment_296\" aria-describedby=\"caption-attachment-296\" style=\"width: 300px\" class=\"wp-caption alignright\"><a href=\"http:\/\/www.contrapunktonline.de\/content\/wp-content\/uploads\/2012\/03\/Contrapunkt_2003_30.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-296\" title=\"contrapunkt 14: Das Podium\" src=\"http:\/\/www.contrapunktonline.de\/content\/wp-content\/uploads\/2012\/03\/Contrapunkt_2003_30-300x200.jpg\" alt=\"contrapunkt 14: Das Podium\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.contrapunktonline.de\/content\/wp-content\/uploads\/2012\/03\/Contrapunkt_2003_30-300x200.jpg 300w, https:\/\/www.contrapunktonline.de\/content\/wp-content\/uploads\/2012\/03\/Contrapunkt_2003_30-200x133.jpg 200w, https:\/\/www.contrapunktonline.de\/content\/wp-content\/uploads\/2012\/03\/Contrapunkt_2003_30-224x150.jpg 224w, https:\/\/www.contrapunktonline.de\/content\/wp-content\/uploads\/2012\/03\/Contrapunkt_2003_30.jpg 799w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-296\" class=\"wp-caption-text\">contrapunkt 14: Das Podium<\/figcaption><\/figure>\n<p><strong>20. Mai 2003 \u2013 Bayerischer Bahnhof Leipzig<\/strong><br \/>\nModeration: Theo Gei\u00dfler und Manfred Wagenbreth<br \/>\nRegie: Lieberwirth\/Hufner; Redaktion: Wolf Loeckle<\/p>\n<p>Sex, Drugs and Rock&#8217;n&#8216; Roll: Popkultur ist global. Doch neben dieser Weltkultur haben sich Gesellschaften immer eigene musikalische Nischen eingerichtet. Ob und wie man \u00fcber sieben Br\u00fccken geht, das ist in Ost (Karat) oder West (Peter Maffay) durchaus etwas anderes. Walter Ulbricht konnte am \u201eYeah, Yeah, Yeah\u201c nichts finden und in der Adenauer-\u00c4ra sprach sich das aufrechte Volk gegen \u201eNegermusik\u201c aus.<\/p>\n<p>Revolte, Aufbegehren und Subversion waren daher einmal ausdr\u00fcckliche Bestandteile der Popkultur, die von den Twens getragen wurde und in Ost wie West gegen das Eingefahrene der b\u00fcrgerlichen K\u00e4lte anging. Nun ist auch diese Musik gr\u00f6\u00dftenteils zur Mode assimiliert und dient damit immer mehr der gesellschaftlichen Ein- und Zurichtung der Teens zu braven Konsumenten. Wen rockt heute noch der Pop? Dar\u00fcber und \u00fcber anderes diskutieren im Bayerischen Bahnhof zu Leipzig die Moderatoren\u00a0<strong>Manfred Wagenbreth<\/strong>\u00a0(MDR) und\u00a0<strong>Theo Gei\u00dfler<\/strong>\u00a0(BR) unter anderem mit\u00a0<strong>Udo Dahmen\u00a0<\/strong>(Popakademie Baden W\u00fcrttemberg)<strong>, Rolf Stahlhofen\u00a0<\/strong>(Frontmann S\u00f6hne Mannheims) und\u00a0<strong>Kai Niemann\u00a0<\/strong>(Erfinder der Osthymne).<!--more--><\/p>\n<p><strong>28. Mai 2003, 20:00-21:00 &#8211;\u00a0<\/strong>auf MDR KULTUR<\/p>\n<h4>Sendung nachh\u00f6ren<\/h4>\n<div class=\"powerpress_player\" id=\"powerpress_player_7316\"><a href=\"http:\/\/media.blubrry.com\/contrapunkt\/www.contrapunktonline.de\/content\/wp-content\/uploads\/2012\/03\/cp14.mp3\" title=\"Play\" data-pp-embed=\"html5a\" data-pp-player-id=\"7316\" data-pp-media-url=\"http:\/\/media.blubrry.com\/contrapunkt\/www.contrapunktonline.de\/content\/wp-content\/uploads\/2012\/03\/cp14.mp3\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/www.contrapunktonline.de\/content\/wp-content\/uploads\/powerpress\/play.gif\" title=\"Play\" alt=\"Play\" style=\"border:0;\" \/><\/a><\/div>\n\n<p><strong>Ablauf<\/strong><\/p>\n<p>1:05 (1) <strong>Einf\u00fchrung ins Thema<\/strong><\/p>\n<p>9:59 (2) <strong>Begr\u00fc\u00dfung der G\u00e4ste<\/strong><br \/>\nRolf Stahlhofen \u2013 Kai Niemann \u2013 Udo Dahmen<\/p>\n<p>3:51 (3) <strong>Live-Musik: Trying to catch Mr. Adams (Marcus Horndt)<\/strong><br \/>\nGespielt von Tripol (Marcus Horndt &#8211; Tasten; Andreas Schnittger &#8211; Schlagzeug; Benjamin Hohlfeld &#8211; E-Bass)<\/p>\n<p>30:17 (4) <strong>Diskussionsrunde 1<\/strong><br \/>\nWas ist Pop? \u2013 &#8222;Im Osten&#8220;, die wahre Geschichte \u2013 Schlaf der Plattenindustrie \u2013 Live-B\u00fchne \u2013 Spiritualit\u00e4t \u2013 Ost\/West-Nord\/S\u00fcd \u2013 Bernd Begemann: &#8222;Kein Gl\u00fcck im Osten&#8220;<\/p>\n<p>4:12 (5) <strong>Live-Musik: Existenzwanderung I (Andreas Schnittger)<\/strong><br \/>\nGespielt von Tripol (Marcus Horndt &#8211; Tasten; Andreas Schnittger &#8211; Schlagzeug; Benjamin Hohlfeld &#8211; E-Bass)<\/p>\n<p>10:27 (6) <strong>Grenzgang mit Udo Dahmen<\/strong><br \/>\nDienst vs. Musik \u2013 Agung Raka von Saba und Pinda \u2013 DDR-Ausbildung \u2013 Popakademie<\/p>\n<p>1:07 (7) <strong>Live-Musik: Underground Overdrive (Marcus Horndt)<\/strong><br \/>\nGespielt von Tripol (Marcus Horndt &#8211; Tasten; Andreas Schnittger &#8211; Schlagzeug; Benjamin Hohlfeld &#8211; E-Bass)<\/p>\n<p>20:36 (8) <strong>Diskussionsrunde 2<\/strong><br \/>\nPop-Politik \u2013 Schule &amp; Pop \u2013 Deutsch-Quote im Rundfunk \u2013 Newcomer-Quoten \u2013 Marktregeln \u2013 Nichth\u00f6rer und Teenies \u2013 28.000 Schlagzeuger \u2013 Brainwashing \u2013 Scheitern lernen<\/p>\n<p>4:12 (9) <strong>Live-Musik: Mystique (Benjamin Hohlfeld)<\/strong><br \/>\nGespielt von Tripol (Marcus Horndt &#8211; Tasten; Andreas Schnittger &#8211; Schlagzeug; Benjamin Hohlfeld &#8211; E-Bass)<\/p>\n<h4>Fotos:<\/h4>\nngg_shortcode_0_placeholder\n","protected":false},"excerpt":{"rendered":"<p>Revolte, Aufbegehren und Subversion waren daher einmal ausdr\u00fcckliche Bestandteile der Popkultur, die von den Twens getragen wurde und in Ost wie West gegen das Eingefahrene der b\u00fcrgerlichen K\u00e4lte anging. Nun ist auch diese Musik gr\u00f6\u00dftenteils zur Mode assimiliert und dient damit immer mehr der gesellschaftlichen Ein- und Zurichtung der Teens zu braven Konsumenten. Wen rockt heute noch der Pop.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"ocean_front_end_style_editor":"no","ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":"","jetpack_post_was_ever_published":false},"categories":[11,54,14,7],"tags":[32,81],"class_list":["post-294","post","type-post","status-publish","format-standard","hentry","category-bayerischer-bahnhof-leipzig","category-bayern2radio","category-mdr-kultur","category-westostlicher-dialog","tag-deutschland","tag-popmusik","entry"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.contrapunktonline.de\/content\/wp-json\/wp\/v2\/posts\/294","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.contrapunktonline.de\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.contrapunktonline.de\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.contrapunktonline.de\/content\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.contrapunktonline.de\/content\/wp-json\/wp\/v2\/comments?post=294"}],"version-history":[{"count":1,"href":"https:\/\/www.contrapunktonline.de\/content\/wp-json\/wp\/v2\/posts\/294\/revisions"}],"predecessor-version":[{"id":297,"href":"https:\/\/www.contrapunktonline.de\/content\/wp-json\/wp\/v2\/posts\/294\/revisions\/297"}],"wp:attachment":[{"href":"https:\/\/www.contrapunktonline.de\/content\/wp-json\/wp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