{"id":311,"date":"2003-02-18T22:40:54","date_gmt":"2003-02-18T22:40:54","guid":{"rendered":"http:\/\/www.contrapunktonline.de\/content\/?p=311"},"modified":"2012-03-12T09:47:16","modified_gmt":"2012-03-12T09:47:16","slug":"11-musikkabarett-heimlich-unheimlich","status":"publish","type":"post","link":"https:\/\/www.contrapunktonline.de\/content\/11-musikkabarett-heimlich-unheimlich\/","title":{"rendered":"11 \u2013 Musikkabarett: heimlich .\/. unheimlich"},"content":{"rendered":"<figure id=\"attachment_313\" aria-describedby=\"caption-attachment-313\" style=\"width: 300px\" class=\"wp-caption alignright\"><a href=\"http:\/\/www.contrapunktonline.de\/content\/wp-content\/uploads\/2012\/03\/ueberblick.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-313\" title=\"contrapunkt 11: Das Podium\" src=\"http:\/\/www.contrapunktonline.de\/content\/wp-content\/uploads\/2012\/03\/ueberblick-300x225.jpg\" alt=\"contrapunkt 11: Das Podium\" width=\"300\" height=\"225\" srcset=\"https:\/\/www.contrapunktonline.de\/content\/wp-content\/uploads\/2012\/03\/ueberblick-300x225.jpg 300w, https:\/\/www.contrapunktonline.de\/content\/wp-content\/uploads\/2012\/03\/ueberblick-266x200.jpg 266w, https:\/\/www.contrapunktonline.de\/content\/wp-content\/uploads\/2012\/03\/ueberblick-200x150.jpg 200w, https:\/\/www.contrapunktonline.de\/content\/wp-content\/uploads\/2012\/03\/ueberblick.jpg 720w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-313\" class=\"wp-caption-text\">contrapunkt 11: Das Podium<\/figcaption><\/figure>\n<p><strong><strong>18. Februar 2003<\/strong>\u00a0\u2013 Goethe-Forum, M\u00fcnchen<br \/>\n<\/strong>Moderation: Manfred Wagenbreth &amp; Theo Gei\u00dfler<br \/>\nRegie: Hufner\/Lieberwirth \u2013 Redaktion: Wolf Loeckle<\/p>\n<p>Musik ist f\u00fcr die Politik sowieso schon unheimlich. Ganz schwierig wird es jedoch, wenn sich Musik mit dem Kabarett paart. Musik- und Wortwitz schlagen manchmal derartig unvorhersehbare Haken, erwecken Assoziationen, die man so oder so nehmen oder h\u00f6ren kann: War dies ein Scherz oder ist es doch Kritik. Im geteilten Deutschland waren die Funktionen und Auswirkungen des Musikkabaretts, ja nach politischem Leitstern verschieden. Verbieten, ignorieren, dr\u00fcber lachen oder ist das alles sowieso nur musikalischer Fasching \u2013 was tun?\u00a0<!--more--><\/p>\n<p>Dar\u00fcber diskutieren im Goethe-Forum M\u00fcnchen die (Musik)-Kabarettisten\u00a0<strong>Popette Betancor<\/strong>\u00a0(West) und\u00a0<strong>Dieter Beckert\/Peter Till\u00a0<\/strong>(Ost) zusammen mit den Moderatoren\u00a0<strong>Theo Gei\u00dfler<\/strong>\u00a0(BR)\u00a0\u00a0und\u00a0<strong>Manfred Wagenbreth<\/strong>\u00a0(MDR)\u00a0. Und f\u00fcr Musik sorgen die Kabarettisten.<\/p>\n<p><strong>26. Februar 2003, 20:00-21:00 \u00a0<\/strong>auf MDR KULTUR<\/p>\n<h4>Sendung nachh\u00f6ren<\/h4>\n<div class=\"powerpress_player\" id=\"powerpress_player_3329\"><a href=\"http:\/\/media.blubrry.com\/contrapunkt\/www.contrapunktonline.de\/content\/wp-content\/uploads\/2012\/03\/cp11.mp3\" title=\"Play\" onclick=\"return powerpress_embed_html5a('3329','http:\/\/media.blubrry.com\/contrapunkt\/www.contrapunktonline.de\/content\/wp-content\/uploads\/2012\/03\/cp11.mp3');\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/www.contrapunktonline.de\/content\/wp-content\/uploads\/powerpress\/play.gif\" title=\"Play\" alt=\"Play\" style=\"border:0;\" \/><\/a><\/div>\n\n<p><strong>Ablauf<\/strong><\/p>\n<p>1:14 (1) <strong>Begr\u00fc\u00dfung und Einf\u00fchrung ins Thema<\/strong><\/p>\n<p>10:20 (2) <strong>Vorstellung der G\u00e4ste<\/strong><br \/>\nVon Popetten, Holzf\u00e4llern und Maschinen<\/p>\n<p>3:20 (3) <strong>Live-Musik<\/strong><br \/>\nDu holde Kunst (Beckert\/Till\/Schubert)<\/p>\n<p>18:28 (4) <strong>Erste Diskussionsrunde<\/strong><br \/>\n\u00dcber Kunst und Kitsch \u2013 20er Jahre \u2013 Das Erbe (Brecht, Tucholsky, Weinert und K\u00e4stner) \u2013 Beat-Generation \u2013 Liedermacher (H\u00fcsch) \u2013 Neue Deutsche Welle<\/p>\n<p>3:20 (5) <strong>Live-Musik<\/strong><br \/>\nFallobst &#8211; ein Obst- und Gem\u00fcselied zur Lage der Nation (Popette Betancor)<\/p>\n<p>9:10 (6) <strong>Zweite Diskussionsrunde<\/strong><br \/>\nKleine Szenen \u2013 Blackouts \u2013 \u201eDas gro\u00dfe Andersrum\u201c \u2013 Kontakte zwischen Ost und West \u2013 Medienpr\u00e4senz<\/p>\n<p>9:55 (7) <strong>Grenzg\u00e4nger Universales Druckluft-Orchester<\/strong><br \/>\nHigh Tech \u2013 4 bar \u2013 Symbol f\u00fcr die anachronistische Moderne \u2013 Jazzpersiflage<\/p>\n<p>4:05 (8)<strong> Live-Musik<\/strong><br \/>\nDer Wahrsager &#8211; frei nach Nostradamus (Beckert\/Till\/Schubert)<\/p>\n<p>4:54 (9) <strong>Dritte Diskussionsrunde<\/strong><br \/>\nMusik: universell .\/. privat \u2013 Das gro\u00dfe Welttheater in einer Nussschale<\/p>\n<p>4:45 (8) <strong>Live-Musik<\/strong><br \/>\nJeep (Popette Betancor)<\/p>\n<p>13:06 (11) <strong>Vierte Diskussionsrunde<\/strong><br \/>\nStefan Raab \u2013 Helge Schneider \u2013 Das Brechen und das R\u00e4chen<\/p>\n<p>4:45 (12) <strong>Live-Musik<\/strong><br \/>\nRed River Rock (Popette Betancor, Dieter Beckert und Peter Till)<\/p>\n<h4>Fotos:<\/h4>\nngg_shortcode_0_placeholder\n","protected":false},"excerpt":{"rendered":"<p>Musik ist f\u00fcr die Politik sowieso schon unheimlich. Ganz schwierig wird es jedoch, wenn sich Musik mit dem Kabarett paart. Musik- und Wortwitz schlagen manchmal derartig unvorhersehbare Haken, erwecken Assoziationen, die man so oder so nehmen oder h\u00f6ren kann: War dies ein Scherz oder ist es doch Kritik. Im geteilten Deutschland waren die Funktionen und Auswirkungen des Musikkabaretts, ja nach politischem Leitstern verschieden. Verbieten, ignorieren, dr\u00fcber lachen oder ist das alles sowieso nur musikalischer Fasching \u2013 was tun? 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