{"id":79,"date":"2008-02-21T22:06:59","date_gmt":"2008-02-21T22:06:59","guid":{"rendered":"http:\/\/www.contrapunktonline.de\/content\/?p=79"},"modified":"2012-03-14T21:19:19","modified_gmt":"2012-03-14T20:19:19","slug":"29-musikwelten-aus-palastina","status":"publish","type":"post","link":"https:\/\/www.contrapunktonline.de\/content\/29-musikwelten-aus-palastina\/","title":{"rendered":"29 \u2013 Musikwelten aus Pal\u00e4stina"},"content":{"rendered":"<figure id=\"attachment_81\" aria-describedby=\"caption-attachment-81\" style=\"width: 300px\" class=\"wp-caption alignright\"><a href=\"http:\/\/www.contrapunktonline.de\/content\/wp-content\/uploads\/2012\/03\/Palestine.png\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-81\" title=\"Flagge - Pal\u00e4stinensische Autonomiegebiete\" src=\"http:\/\/www.contrapunktonline.de\/content\/wp-content\/uploads\/2012\/03\/Palestine-300x150.png\" alt=\"Flagge - Pal\u00e4stinensische Autonomiegebiete\" width=\"300\" height=\"150\" srcset=\"https:\/\/www.contrapunktonline.de\/content\/wp-content\/uploads\/2012\/03\/Palestine-300x150.png 300w, https:\/\/www.contrapunktonline.de\/content\/wp-content\/uploads\/2012\/03\/Palestine-200x100.png 200w, https:\/\/www.contrapunktonline.de\/content\/wp-content\/uploads\/2012\/03\/Palestine.png 800w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-81\" class=\"wp-caption-text\">Flagge - Pal\u00e4stinensische Autonomiegebiete<\/figcaption><\/figure>\n<p><strong><strong>21. Februar 2008\u00a0<\/strong>\u00a0\u2013\u00a0M\u00fcnchen, Goethe-Forum<\/strong><br \/>\nModeration: Theo Gei\u00dfler und Frank K\u00e4mpfer<br \/>\nRegie: Werner Bleisteiner &#8211; Recherche: Eva Schrot &#8211; Redaktion: Wolf Loeckle<\/p>\n<p>In Pal\u00e4stina sind Kunst und Kulturbetrieb seit Jahrzehnten von Vertreibung, Flucht, Widerstand und Besetzung gepr\u00e4gt. Dennoch gibt es sie \u2013 und vielf\u00e4ltiger, als hierzulande vermutet. Der Contrapunkt-Abend begibt sich auf Spurensuche vor allem in der Musik. Welche Bedeutung hat sie in Pal\u00e4stina vor und nach 1948 ?<\/p>\n<p>Ist sie Unterhaltungsprodukt oder Grundwert? Wie ist sie institutionalisiert? Welche Traditionen gibt es und welche Werte und Worte vermitteln sie? Wie steht es um musische Bildung in den besetzten Gebieten? Was bewirken internationale F\u00f6rderprojekte vor Ort? Wie erfahren sich pal\u00e4stinensische K\u00fcnstler in Westeuropa?<\/p>\n<p>Welches Potenzial bieten Musik und Kultur f\u00fcr einen neuen Anfang in der Region?<!--more--><\/p>\n<p><strong>Es diskutieren:<\/strong><\/p>\n<ul>\n<li>Samir Odeh-Tamimi (Komponist),<\/li>\n<li>Yuval Shaked (Komponist und Musikologe),<\/li>\n<li>Anne-Mareike Vohn (Klarinettistin)<\/li>\n<\/ul>\n<p><strong>Musik:<br \/>\n<\/strong><\/p>\n<ul>\n<li>Walid El-Wanni, Oud<\/li>\n<\/ul>\n<p>Ein Themenabend im Goethe-Forum mit Film (19.00 Uhr), Musik, Kulinarik &amp; Diskussion \u2013 und live auf Bayern4Klassik (21.03 \u2013 22.00 Uhr).\u00a0Partner: Bayern 4 Klassik, neue musikzeitung, Schauspielhaus Salzburg, die Goethe-Institute in Jerusalem und Ramallah und die J\u00fcdisch-Pal\u00e4stinensische Dialoggruppe, M\u00fcnchen<\/p>\n<h4>Sendung nachh\u00f6ren:<\/h4>\n<div class=\"powerpress_player\" id=\"powerpress_player_221\"><a href=\"http:\/\/media.blubrry.com\/contrapunkt\/www.contrapunktonline.de\/content\/wp-content\/uploads\/2008\/02\/cp29.mp3\" title=\"Play\" onclick=\"return powerpress_embed_html5a('221','http:\/\/media.blubrry.com\/contrapunkt\/www.contrapunktonline.de\/content\/wp-content\/uploads\/2008\/02\/cp29.mp3');\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/www.contrapunktonline.de\/content\/wp-content\/uploads\/powerpress\/play.gif\" title=\"Play\" alt=\"Play\" style=\"border:0;\" \/><\/a><\/div>\n\n<p>Ablauf:<\/p>\n<p><strong>4:22 (1) Einf\u00fchrung ins Thema<\/strong><br \/>\nBegr\u00fc\u00dfung: Theo Gei\u00dfler und Frank K\u00e4mpfer stellen das Thema vor.<\/p>\n<p><strong>10:58 (2) Erste Diskussionen<\/strong><br \/>\nBegr\u00fc\u00dfung der G\u00e4ste: Ann-Mareike Vohn, Yuval Shaked und Samir Odeh-Tamimi<\/p>\n<p><strong>3:52 (3) Live-Musik: Walid El-Wanni, Oud live<\/strong><\/p>\n<p><strong>16:13 (4) Weitere Diskussionen<\/strong><br \/>\nWas ist pal\u00e4stinensische Musik? \u2013 Hochzeitsmusik \u2013 E- und U-Musik \u2013 Das pal\u00e4stinensische Musikinstrument \u2013 Nationaler Stil \u2013 Rolle der Musik in Pal\u00e4stina<\/p>\n<p><strong>4:57 (5) Live-Telefonat<\/strong><br \/>\nReinhard Schulz berichtet vor Ort von der Situation<\/p>\n<p><strong>14:29 (6) Fortsetzung der Diskussionen<\/strong><br \/>\nMusikleben in Pal\u00e4stina \u2013 Spiegel der Medien nicht repr\u00e4sentativ \u2013 Bildungschancen \u2013 Austausche der Musikkulturen \u2013 Zugang zur Kultur im Allgemeinen schwierig \u2013 orale Traditionen<\/p>\n<p><strong>2:02 (7) Live-Musik: Walid El-Wanni, Oud live<\/strong><br \/>\nUnd Stationsansage<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In Pal\u00e4stina sind Kunst und Kulturbetrieb seit Jahrzehnten von Vertreibung, Flucht, Widerstand und Besetzung gepr\u00e4gt. Dennoch gibt es sie \u2013 und vielf\u00e4ltiger, als hierzulande vermutet. Der Contrapunkt-Abend begibt sich auf Spurensuche vor allem in der Musik. Welche Bedeutung hat sie in Pal\u00e4stina vor und nach 1948 ?<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"ocean_front_end_style_editor":"no","ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":"","jetpack_post_was_ever_published":false},"categories":[15,5,10],"tags":[3,19,29],"class_list":["post-79","post","type-post","status-publish","format-standard","hentry","category-bayern4klassik","category-dialog-der-kulturen","category-goethe-institut","tag-asien","tag-europa","tag-palestina","entry"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.contrapunktonline.de\/content\/wp-json\/wp\/v2\/posts\/79","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.contrapunktonline.de\/content\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.contrapunktonline.de\/content\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.contrapunktonline.de\/content\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.contrapunktonline.de\/content\/wp-json\/wp\/v2\/comments?post=79"}],"version-history":[{"count":6,"href":"https:\/\/www.contrapunktonline.de\/content\/wp-json\/wp\/v2\/posts\/79\/revisions"}],"predecessor-version":[{"id":86,"href":"https:\/\/www.contrapunktonline.de\/content\/wp-json\/wp\/v2\/posts\/79\/revisions\/86"}],"wp:attachment":[{"href":"https:\/\/www.contrapunktonline.de\/content\/wp-json\/wp\/v2\/media?parent=79"}],"wp:term":[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